EXTRAORDINARY WOMEN
An original program featuring excerpts from Baroque operas and conceived by Opera North Artistic Director Louis Burkot and Stage Director Nora Winsler. For the full libretto, see below.
CAST
Henry Purcell’s Dido and Aeneas
Dido: Elizabeth Sarian, mezzo soprano
Aeneas: Zaray Rodriguez, mezzo soprano
Belinda: Amanda Simms, soprano
Sorceress: Caitlin McGrail, mezzo soprano
Witches, Attendants: Sydney Burke, Leah Finn, sopranos
George Frederic Handel’s Giulio Cesare
Cornelia: Zaray Rodriguez, mezzo soprano
Sesto: Elizabeth Sarian, mezzo soprano
Claudio Monteverdi’s L’incoronazione di Poppea
Poppea: Arianna Rodriguez, soprano
Arnalta: Caitlin McGrail, mezzo soprano
George Frederic Handel’s Semele
Juno: Zaray Rodriguez, mezzo soprano
Iris: Leah Finn, soprano
Christoph Willibald Gluck’s Orfeo et Eurydice
Orfeo: Zaray Rodriguez, mezzo soprano (image above, left)
Eurydice: Arianna Rodriguez, soprano (image above, right)
Amor: Amanda Simms, soprano
Henry Purcell’s Dido and Aeneas
Dido: Elizabeth Sarian, mezzo soprano
Ensemble
LIBRETTO
From Act 1, Dido and Aeneas
BELINDA
Shake the cloud from off your brow,
Fate your wishes does allow;
Empire growing,
Pleasures flowing,
Fortune smiles and so should you.
DIDO
Ah! Belinda, I am prest
With torment not to be Confest,
Peace and I are strangers grown.
I languish till my grief is known,
Yet would not have it guest.
BELINDA
Grief increases by concealing,
DIDO
Mine admits of no revealing.
BELINDA
Then let me speak; the Trojan guest
Into your tender thoughts has pres’t;
The greatest blessing Fate can give
Our Carthage to secure and Troy revive.
DIDO
Whence could so much virtue spring?
What storms, what battles did he sing?
Anchises' valour mixt with Venus' charms
How soft in peace, and yet how fierce in arms!
BELINDA
A tale so strong and full of woe
Might melt the rocks as well as you.
What stubborn heart unmov'd could see
Such distress, such piety?
DIDO
Mine with storms of care oppres’t
Is taught to pity the distress.
Mean wretches' grief can touch,
So soft, so sensible my breast,
But ah! I fear, I pity his too much.
BELINDA AND SECOND WOMAN
Fear no danger to ensue,
The Hero Loves as well as you,
Ever gentle, ever smiling,
And the cares of life beguiling,
Cupid strew your path with flowers
Gather'd from Elysian bowers.
[Aeneas enters]
BELINDA
See, your Royal Guest appears,
How Godlike is the form he bears!
AENEAS
When, Royal Fair, shall I be blest
With cares of love and state distres’t?
DIDO
Fate forbids what you pursue.
AENEAS
Aeneas has no fate but you!
Let Dido smile and I'll defy
The feeble stroke of Destiny.
If not for mine, for Empire's sake,
Some pity on your lover take;
Ah! make not, in a hopeless fire
A hero fall, and Troy once more expire.
BELINDA
Pursue thy conquest, Love; her eyes
Confess the flame her tongue denies.
From Act 2
SORCERESS
Wayward sisters, you that fright
The lonely traveller by night
Who, like dismal ravens crying,
Beat the windows of the dying,
Appear! Appear at my call, and share in the fame
Of a mischief shall make all Carthage flame.
Appear!
[enter Enchantresses]
FIRST WITCH
Say, Beldam, say what's thy will.
SORCERESS
The Queen of Carthage, whom we hate,
As we do all in prosp'rous state,
Ere sunset, shall most wretched prove,
Depriv'd of fame, of life and love!
TWO WITCHES
Ruin'd ere the set of sun?
Tell us, how shall this be done?
SORCERESS
The Trojan Prince, you know, is bound
By Fate to seek Italian ground;
The Queen and he are now in chase.
FIRST WITCH
Hark! Hark! the cry comes on apace.
SORCERESS
But, when they've done, my trusty Elf
In form of Mercury himself
As sent from Jove shall chide his stay,
And charge him sail tonight with all his fleet away.
TWO WITCHES
But ere we this perform,
We'll conjure for a storm
To mar their hunting sport
And drive 'em back to court.
Scene [II]: The Grove
[enter Aeneas, Dido, Belinda]
RITORNELLE [Orchestra]
BELINDA
Thanks to these lovesome vales,
These desert hills and dales,
So fair the game, so rich the sport,
Diana's self might to these woods resort.
AENEAS
Behold, upon my bending spear
A monster's head stands bleeding,
With tushes far exceeding
Those did Venus' huntsman tear.
DIDO
The skies are clouded, hark! how thunder
Rends the mountain oaks a sunder.
BELINDA
Haste, haste to town, this open field
No shelter from the storm can yield.
[exeunt Dido and Belinda and train]
[The Spirit of the Sorceress descends to Aeneas in the
likeness of Mercury]
SPIRIT
Stay, Prince and hear great Jove's command;
He summons thee this Night away.
AENEAS
Tonight?
SPIRIT
Tonight thou must forsake this land,
The Angry God will brook no longer stay.
Jove commands thee, waste no more
In Love's delights, those precious hours,
Allow'd by th'Almighty Powers
To gain th' Hesperian shore
And ruined Troy restore.
AENEAS
Jove's commands shall be obey'd,
Tonight our anchors shall be weighed.
[Exit Spirit.]
But ah! what language can I try
My injur'd Queen to Pacify:
No sooner she resigns her heart,
But from her arms I'm forc'd to part.
How can so hard a fate be took?
One night enjoy'd, the next forsook.
Yours be the blame, ye gods! For I
Obey your will, but with more ease could die.
From Act Three
SORCERESS
See the flags and streamers curling
Anchors weighing, sails unfurling.
FIRST WITCH
Phoebe's pale deluding beams
Guilding more deceitful streams.
SECOND WITCH
Our plot has took,
The Queen's forsook.
TWO WITCHES
Elissa's ruin'd, ho, ho!
Our plot has took,
The Queen's forsook, ho, ho!
SORCERESS
Our next Motion
Must be to storme her Lover on the Ocean!
From the ruin of others our pleasures we borrow,
Elissa bleeds tonight, and Carthage flames tomorrow.
CHORUS
Destruction's our delight
Delight our greatest sorrow!
Elissa dies tonight and Carthage flames tomorrow.
[Jack of the Lanthorn leads the Spaniards out of
their way among the Enchantresses.]
[Enter Dido, Belinda]
DIDO
Your counsel all is urged in vain
To Earth and Heav'n I will complain!
To Earth and Heav'n why do I call?
Earth and Heav'n conspire my fall.
To Fate I sue, of other means bereft
The only refuge for the wretched left.
BELINDA
See, Madam, see where the Prince appears;
Such Sorrow in his looks he bears
As would convince you still he's true.
[enter Aeneas]
AENEAS
What shall lost Aeneas do?
How, Royal Fair, shall I impart
The God's decree, and tell you we must part?
DIDO
Thus on the fatal Banks of Nile,
Weeps the deceitful crocodile
Thus hypocrites, that murder act,
Make Heaven and Gods the authors of the Fact.
AENEAS
By all that's good ...
DIDO
By all that's good, no more!
All that's good you have forswore.
To your promis'd empire fly
And let forsaken Dido die.
AENEAS
In spite of Jove's command, I'll stay.
Offend the Gods, and Love obey.
DIDO
No, faithless man, thy course pursue;
I'm now resolv'd as well as you.
No repentance shall reclaim
The injur'd Dido's slighted flame.
For 'tis enough, whate'er you now decree,
That you had once a thought of leaving me.
AENEAS
Let Jove say what he will: I'll stay!
DIDO
Away, away! No, no, away!
AENEAS
No, no, I'll stay, and Love obey!
DIDO
To Death I'll fly
If longer you delay;
Away, away!
[Exit Aeneas]
But Death, alas! I cannot shun;
Death must come when he is gone.
From Giulio Cesare
Duet, Cornelia and Sesto
I was born / or lagrimar / sigh, and my sweet comfort,
ah, I will always cry.
If fate betrayed us,
serene and happy
I can never hope again.
Aria, Sesto
Wake up in the core,
furies of an alma offense,
to make of a traitor bitter revenge!
The shadow of the parent comes to my defense,
and says: to you the rigor, Son expects.
From L’incoronazione di Poppea
POPPEA
Hope, you go me
The flattering genius,
And you surround me in the meantime
Of regio yes, but imaginary mantle.
I promise you, to your promises,
I already have the crowns on my head,
And already 'l star Nero
Consort desbramatissimo possedo,
But if I search for the truth
Regina I am with simple thought.
No, I do not fear, no, no boredom,
For me, Amor wars, and Fortune.
Orchestral Interlude
ARNALTA
Ah baby, want heaven,
What these hugs
One day not your cliffs.
POPPEA
No, I'm not afraid of boredom.
ARNALTA
The empress Octavia has penetrated
Love, loves Nero
Ond'io pavento and I fear
Every day, every point
Be of your life the day, the extreme point.
POPPEA
For me, Amor wars, and Fortune.
ARNALTA
Practicing with the regi is perilous,
Love and hate do not have strength in them,
It is the effects of their pure interests.
REFRAIN
If Nero loves you, it is mere courtesy,
If you leave, you cannot hurt.
For less evil it will be better to silence you.
POPPEA
No, I'm not afraid of boredom.
ARNALTA
The great spire honors with presence,
Leave, while the house blows with wind,
Reputation and smoking in payment.
REFRAIN
You lose the honor,
Nero enjoys me.
Ambitious vices are useless!
I like fruitful sins more.
REFRAIN
With him you can never treat one another,
And if the wedding you have for object and end,
By begging you go your ruin.
POPPEA
No, I'm not afraid of boredom.
ARNALTA
Look, Poppea,
Where the lawn is more pleasant and enjoyable,
Stassi the ascetic snake.
Of the cases the vicissitudes are deadly;
Calmness is prophecy of storms.
POPPEA
No, I do not fear, no, no boredom,
For me, Amor wars, and Fortune.
ARNALTA
You're crazy, if you believe
That they can make you happy and save
A blind garzon and a bald woman.
You're crazy if you believe ...
From Semele
Aria: “Iris hence away”
JUNO
Awake, Saturnia, from thy lethargy!
Seize, destroy the cursed Semele!
Scale proud Cithaeron's top,
Snatch her, tear her in thy fury,
And down to the flood of Acheron
Let her fall, let her fall, fall, fall,
Rolling down the depths of night,
Never more to behold the light.
If I th'imperial scepter sway, I swear
By hell!
(Tremble, thou universe, this oath to hear!)
Not one of curst Agenor's race to spare.
IRIS, Recitative
Hear, mighty queen, while I recount
What obstacles you must surmount.
With adamant the gates are barr'd,
Whose entrance two fierce dragons guard.
At each approach they lash their forky stings
And clap their brazen wings;
And as their scaly horrors rise,
They all at once disclose
A thousand fiery eyes
Which never know repose.
JUNO
Hence, Iris, hence away,
Far from the realms of day!
O'er Scythian hills to the Maeotian lake
A speedy flight we'll take!
There Somnus I'll compel
His downy bed to leave, and silent cell;
With noise and light I will his peace molest,
Nor shall he sink again to pleasing rest,
Till to my vow'd revenge he grants supplies,
And seals with sleep the wakeful dragons' eyes.
From Giulio Cesare
CLEOPATRA ARIA
Do not despair, who knows?
You might achieve the success in reigning
that you have achieved in love.
Looking at your beauty,
you discover in it
how to calm a heart.
You will have arisen in love.
From Orfeo et Eurydice
EURYDICE Recitative
What life is this now
which I am about to lead?
And what fatal,
terrible secret
does Orpheus hide from me?
Why does he weep and grieve?
Ah, I am as yet unaccustomed
to the sorrows
suffered by the living!
Beneath so great a blow
my constancy fails,
the light fades
before my eyes;
my breath, locked in my bosom,
becomes laboured.
I tremble, I sway
and feel my heart wildly beating
with anguish and terror.
EURYDICE Aria
Oh bitter moment!
Oh cruel fate!
To pass from death
to such sorrow!
I was used to the peace
of a tranquil oblivion;
but in these tempests
my heart is shattered.
I sway, I tremble ...
ORFEO
Here is a new torment.
EURYDICE
Beloved husband,
will you leave me thus?
I am consumed with grief;
will you not console me?
Sorrow overwhelms my senses;
will you not aid me?
O stars, must I then die
once more
without an embrace from you,
without a farewell?
ORFEO
I can restrain myself no longer;
little by little
my reason is forsaking me.
Eurydice, I forget the decree
and myself! And …
EURYDICE
Orpheus, husband!
Ah! ... I feel ... faint.
ORFEO
No, beloved! Listen!
If you knew ...
ah, what am I doing?
How long
must I suffer
in this fearful hell?
EURYDICE
Dearest, remember ... me!
ORFEO
What torment!
Oh how my heart is torn!
I can resist no more ...
I rant ... I tremble ... I rave ...
Ah! My treasure!
EURYDICE
Merciful gods, what is happening?
I faint ... I die.
ORFEO
Alas! What have I done?
Where has love's frenzy
driven me?
Beloved Eurydice!
Eurydice! My wife!
Ah! She lives no longer,
I call her in vain!
Woe is me!
I have lost her again, and for ever.
Cruel decree! Oh death!
Oh bitter reminder!
There is no help,
no counsel for me!
I see only ? ah, cruel sight! -
the mournful signs
of my terrible plight.
Be satisfied, malevolent fate!
I am in despair!
ORFEO Aria
What shall I do without Eurydice?
Where shall I go without my love?
Eurydice! Eurydice!
O heavens! Answer!
I am still true to you!
Eurydice! Eurydice!
Ah, there is no help,
no hope for me
either on earth nor in heaven!
ORFEO Recitative
Ah! May grief end my life,
and for ever!
I am already upon the path
to black Avernus!
It is not a long road
which divides me from my love.
Yes, wait, dear shade of my beloved!
Wait, wait!
No, this time you shall not cross
Lethe's sluggish waters without your husband.
He tries to kill himself.
SCENE II
AMOR Recitative
Orfeo, what are you doing?
ORFEO
And who are you
who dare to restrain
my last fury,
which my plight justifies?
AMOR
Calm your anger, lay down your weapon,
and recognise Love!
ORFEO
Ah, is it you? I recognise you!
Grief clouded all my senses before.
Why have you come
in this bitter moment?
What do you want with me?
AMOR
To make you happy!
Orpheus, you have suffered enough for my glory;
I give you back your beloved Eurydice.
I seek no greater proof of your fidelity.
Here she is: she rises
to be reunited with you.
Eurydice rises as if waking from a deep sleep.
ORFEO
What do I see? Ye gods!
My wife!
EURYDICE
My husband!
ORFEO
Can I really embrace you?
EURYDICE
Can I clasp you to my bosom?
ORFEO
to Amor
My gratitude to you.
AMOR
Enough!
Come, happy lovers,
let us go back to earth:
return to enjoy it!
ORFEO
Oh happy day!
Oh merciful Amor!
Oh joyful, blissful moment!
My contentment compensates
for a thousand woes!
CHORUS
Great minds against themselves conspire
And shun the cure they most desire.
From Dido and Aeneas
DIDO
Thy hand, Belinda, darkness shades me,
On thy bosom let me rest,
More I would, but Death invades me;
Death is now a welcome guest.
When I am laid in earth, May my wrongs create
No trouble in thy breast;
Remember me, but ah! forget my fate.